FINDING A VOICE, AND LOSING OUR WAY?
FINDING A VOICE, AND LOSING OUR WAY?
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寻找声音却迷失方向？
DOI：
10.1111/j.1741-5446.1998.00541.x
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发表时间：
1998
影响因子：
1
通讯作者：
Dennis Carlson
中科院分区：
文献类型：
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作者：
Dennis Carlson
[...]我认为，进步人士必须继续寻找新的学术“真理游戏”和对话，以加入，那些更好地结合理论和实践，并跨越学术和社会运动之间的边界在公众。在他著名的主人和奴隶的故事中，黑格尔将激情翻译为一种出于奴隶“承认”的愿望而发出的声音，因此也是一种反抗、违法和社会正义的声音。14激情驱使奴隶主张平等的权利，作为一个必须受到尊重的人，谁不应该被视为二等公民或降低到一个对象。[...]对黑格尔来说，以及对从黑格尔主义中产生出来的马克思主义传统来说，激情的声音为逻各斯的声音创造了条件。由于拉德维格将自己定义为”激进分子”，人们可能会期望在他的作品中也能找到激情的声音，但这在很大程度上是缺失的。吉鲁在沿着改变课程的过程中观察到，写作项目的发展是为了”让学生有机会承认他们自己在种族、殖民主义和代表政治问题上的情感和情感投资”（PPH，172）。[...]该小组不断谈论大学本身是如何参与再现他们讨论的一些种族问题的”（PPH，175）。
[...] I think that progressives must continue to search for new academic" truth games" and conversations to join, ones that better integrate theory and practice and cross borders between the academy and social movements in the public. In his famous story of the master and the slave, GWF Hegel translated thymos as a voice that speaks out of desire for" recognition" by the slave, and thus as a voice of resistance, transgression, and social justice. 14 Thymos is what drives the slave to assert rights as an equal, as someone who must be treated with respect, and who does not deserve to be treated as a second-class citizen or reduced to an object.[...] for Hegel-and for the Marxist tradition that grew out of Hegelianism-the voice of thymos sets the conditions for the voice of logos. Since Ladwig defines himself as a" radical," one might expect to find a voice of thymos in his writing as well, but it is largely missing. In changing the course as he went along, Giroux observes that writing projects evolved so as to" give students the opportunity to acknowledge their own emotional and affective investments in issues of race, colonialism, and the politics of representation"(PPH, 172).[...] the group constantly talked about how the university itself was implicated in reproducing some of the racial problems they discussed"(PPH, 175).