Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization
Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization
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外国亚洲/外国莎士比亚：关于新亚洲跨文化性、后殖民性和再殖民化的不同意见
DOI：
10.1353/tj.2004.0004
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发表时间：
2004
期刊：
影响因子：
0.5
通讯作者：
R. Bharucha
中科院分区：
文献类型：
--
作者：
R. Bharucha
本文通过对莎士比亚与亚洲的整体性和东方主义联系的解构，将它们之间的多元关系问题化，集中在三个独立的，但在政治和经济上有联系的研究地点：莎士比亚的新亚洲探索，其中戏剧文本被包含在表面上解构的探索亚洲文化差异的场景中;后殖民主义者对莎士比亚在传统表演中的改编的批评，如卡塔卡利; 2新东方主义者试图在非西方文化的生活传统中寻找一个真实而充满活力的莎士比亚。即使在将吟游诗人去省化并肯定不仅仅有其他的吟游诗人，而是有不同的吟游诗人的同时，本文也证明了Asicacentricity可能是欧洲中心主义的另一面。
Decanonizing the larger monolithic and Orientalist associations of Shakespeare and Asia, this essay problematizes their diverse relationships by focusing on three discrete, yet politically and economically linked, sites of investigation: New Asian explorations of Shakespeare in which the dramatic text is subsumed within ostensibly deconstructive scenarios exploring inter-Asian cultural difference; postcolonial critiques of Shakespearean adaptation in traditional performances like Kathakali; and the neo- Orientalist attempt to seek an authentic and vibrant Shakespeare in the living traditions of non-Western cultures. Even while de-provincializing the Bard and affirming that there are not just other Shakespeares but different Shakespeares, the essay also demonstrates that Asicacentricity could be the other side of the same coin as Eurocentricity.