Disruption, dissonance and embodiment: Creativity, health and risk in music narratives
Disruption, dissonance and embodiment: Creativity, health and risk in music narratives
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DOI：
10.1177/1363459305048098
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发表时间：
2005-01-01
期刊：
影响因子：
2.1
通讯作者：
Daykin, N
中科院分区：
文献类型：
--
作者：
Daykin, N
本文探讨了创造力，健康和风险的概念，在英国自由音乐家的采访。沿着不安全的音乐作品的社会背景进行探索，其中享乐主义，风险和牺牲的创造力的霸权话语连接。这项研究借鉴了叙事分析，以检查影响创造性工作的中断的反应。它还探讨了音乐作品中不和谐的持续帐户。该研究建立在新音乐学的基础上，探索创作理想的文化基础：这些理想超越了艺术，影响了社会生活的许多领域。它强调了审美判断的运用，包括对自我的判断，有助于包括和排除特定的身份，重视和减少他们的贡献。本研究也建立在后现代性背景下关于反身性和身体管理的调节功能的社会学争论的基础上。在这里，体现的战略也被视为与赋权有关，是对创造力霸权观念的挑战。最后，该研究建立在围绕叙事分析的方法论辩论的基础上，采用社会学方法，强调音乐作品的特定背景，并识别揭示日常经验和更深层次文化过程之间联系的核心叙事。
This article explores notions of creativity, health and risk, drawing on interviews with freelance musicians in the UK. The social context of insecure music work is explored along with hegemonic discourses of creativity in which hedonism, risk and sacrifice are connected. The study draws on narrative analysis in order to examine responses to disruptions that affect creative work. It also explores ongoing accounts of dissonance in music work. The research builds on the new musicology in exploring the cultural basis of creative ideals: these extend beyond the arts to influence many areas of social life. It highlights the way in which the exercise of aesthetic judgements, including judgements about the self, serve to include and exclude particular identities, valuing and diminishing their contributions. The study also builds on sociological debates concerning the regulatory functions of reflexivity and body management in the context of late modernity. Here, strategies of embodiment are also seen in relation to empowerment as challenges to hegemonic notions of creativity. Finally, the research builds on methodological debates surrounding narrative analysis, adopting a sociological approach that emphasizes the particular context of music work and identifies core narratives that reveal connections between everyday experiences and deeper cultural processes.