Median Art and Medizing Scholarship
Median Art and Medizing Scholarship
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中位艺术和医学奖学金
DOI：
10.1086/373226
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发表时间：
1987
影响因子：
0.6
通讯作者：
O. W. Muscarella
中科院分区：
文献类型：
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作者：
O. W. Muscarella
二十多年前，格扎·德·弗朗哥维奇（Geza de Francovitch）曾写道，米底艺术“是一个神话”，“没有一件作品是被证实起源于米底的”，而且，关于米底艺术的讨论涉及“神话和寓言的领域”。伊朗西部米底人的中心地带以哈马丹为中心，向西南、东北和东部的阿尔万山脉延伸了一段距离。《巴比伦编年史》中记载的金银可能不仅仅是金条或亚述战利品的形式，还可能包括米底工匠制作的物品，这可能是后来的大流士在苏萨（DSf）的铭文所暗示的，尽管这一点很模糊。这一章讨论了制作黄金的金匠，他们是玛代人和埃及人；同样的人也被认为是装饰墙壁的人。关键词:亚述;巴比伦的编年史;埃及人;玛代;中等艺术;伊朗西部
More than two decades have passed since Geza de Francovitch wrote that Median art “is a myth,” that “not a single work exists of proven Median origin,” and, further, that its discussion involves one in “the realm of myth and fableq. The heartland of the Medes in western Iran centered around Hamadan and extended for some distance to the southwest, northeast, and east in the Alvand mountain range. The gold and silver recorded in the Babylonian Chronicle may not have been solely in the form of bullion or Assyrian booty and may have included objects crafted by Median artisans is perhaps suggested, albeit tenuously, by the later inscription of Darius at Susa (DSf). This chapter discusses that qthe goldsmiths who wrought the gold, those were Medes and Egyptiansq; the very same people are also said to be the ones who qadorned the wallsq. Keywords:Assyrian; Babylonian Chronicle; Egyptians; Medes; median art; western Iran