Hip hop am Main: the localization of rap music and hip hop culture
Hip hop am Main: the localization of rap music and hip hop culture
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DOI：
10.1177/016344399021001004
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发表时间：
1999-01-01
影响因子：
3.3
通讯作者：
Bennett, A
中科院分区：
文献类型：
--
作者：
Bennett, A
本文探讨了德国法兰克福土耳其和摩洛哥社区的年轻人如何挪用和改造说唱音乐和嘻哈文化。我首先考虑法兰克福说唱团体如何通过将德语和土耳其歌词融入自创的说唱歌曲中，将这种流派转变为高度本地化的表达方式。更具体地说，对说唱流派的这种改造使其能够作为一种媒介来表达与新近或最近在德国定居的少数民族群体所面临的种族主义和公民身份问题相关的问题。在本文的第二部分中，我考虑了法兰克福说唱歌手在尝试将嘻哈重新塑造为本地化表达方式时能够利用的一些资源。
This article examines the way in which rap music and hip hop culture have been appropriated and reworked by the youth of Turkish and Moroccan communities in Frankfurt am Main, Germany. I begin by considering how, via the incorporation of German and Turkish lyrics into self-composed rap songs, Frankfurt rap groups have been able to turn the genre into a highly localized mode of expression. More specifically, such a reworking of the rap genre has enabled its use as a medium for the voicing of issues relating to the problems of racism and citizenship with which ethnic minority groups newly or recently settled in Germany are faced. In the second part of the article I consider some of the resources which Frankfurt rappers have been able to draw upon in their attempts to rework hip hop as a localized mode of expression.