Pottery, Glass, and the Pictorial Habit between Late Republic and Early Empire
Pottery, Glass, and the Pictorial Habit between Late Republic and Early Empire
复制标题
陶器、玻璃以及共和国晚期和帝国早期之间的绘画习惯
DOI：
10.1093/oxfordhb/9780190850326.013.17
复制
发表时间：
2022
期刊：
影响因子：
--
通讯作者：
M. Flecker
中科院分区：
文献类型：
--
作者：
M. Flecker
在古典时期，艺术品，特别是陶瓷和玻璃制品，并不总是在同样程度上被用作图像载体。根据当时流行的绘画习惯，图像的现象绝不是必要的，图像的使用取决于历史，政治和社会形势。本章重点介绍罗马共和国晚期和帝国早期。与其他古代时期不同，公元前世纪至公元前世纪这段时间是一个加速变革和动荡的时期，但也是一个巩固的时期。在这一时期，一种绘画习惯发展起来，与前一时期的艺术实践有很大不同，这种习惯也延续到帝国时期。此外，图像不再局限于精英阶层的消费，更广泛的人群也可以使用。陶瓷和玻璃作为视觉媒介的发展为图像文化的深刻变化提供了一个很好的例子。
In the period of classical antiquity, art objects, especially objects of ceramic and glass, were not always used as image bearers to the same extent. Depending upon the prevalent pictorial habit, the phenomenon of images was by no means de rigueur, and imagery was used optionally depending upon the historical, political, and social situation. This chapter focuses on the late Roman Republic and the early imperial period. Like no other period of antiquity, the time span between the second century bce and the first century ce was a phase of accelerated change and upheaval but also one of consolidation. In this period, a pictorial habit developed that differed enormously from the artistic practice of the preceding period and that also continued into the imperial period. Furthermore, imagery was no longer limited to consumption by the elite class but was also available to the broader population. The development of ceramic and glass as visual media provides an excellent example of the profound changes in the culture of the image.