Fingierter Mythos, gefälschter Kommentar: Techniken der Simulation in Prosper Mérimées „La Guzla“
Fingierter Mythos, gefälschter Kommentar: Techniken der Simulation in Prosper Mérimées „La Guzla“
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手指神话、评论：Prosper Mérimées ``La Guzla 中的模拟技术
DOI：
10.1524/slaw.2009.0015
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发表时间：
2009
影响因子：
0.2
通讯作者：
G. Kohler
中科院分区：
文献类型：
--
作者：
G. Kohler
本文将梅里美1827年出版的《拉古兹拉》置于世纪民族与国家的神话与虚构的文学建构语境中进行考察。它揭示了这部作品的虚构策略，即系统地处理和巧妙地安排在文本的不同层面上，揭示了梅里美对克罗地亚和塞尔维亚民间故事的神秘化是一个“假”，一个伪造的神话。从这个角度来看，“错误”，在文学批评的过程中，通过它来揭露神秘化的缺陷，结果不是“缺点”，而是一种精心设计的技术：它们揭示了创造“虚构神话”的策略，梅里美通过这种策略批评了他那个时代的生产和接受诗学。
The present article examines Prosper Merimee's 'La Guzla', a collection of ballads published in 1827, in the context of myth and fabrication of literary constructions of People and Nation in the 18th and 19th century. It elicits this work's strategies of fiction, which ― systematically disposed and subtly arranged on different layers of the text ― disclose Merimee's mystification of Croatian and Serbian folktales as a 'fake', as a feigned myth. From this perspective the 'mistakes', by means of which in the course of time literary criticism thought to unmask the mystification as deficient, turn out to be not 'shortcomings' but rather a well calculated technique: they reveal the strategies of creating a 'fictive myth' by means of which Merimee criticises the poetics of production and reception of his time.