Theory of Literature

Theory of Literature
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文学理论

DOI:
10.2307/585969
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发表时间:
1949
期刊:
影响因子:
0.8
通讯作者:
A. Warren
A. Warren
中科院分区:
--
文献类型:
--
作者:
R. H. Fogle;René Wellek;A. Warren

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这个跨学科的研讨会致力于研究抗议艺术,作为社会反对威权主义和极权主义斗争的一部分。它侧重于白俄罗斯、俄罗斯和乌克兰的苏联和后苏联转型的例子。讨论的这段时期以1953年斯大林之死的开始,以抗议白俄罗斯的亚历山大·卢卡申科和俄罗斯的弗拉基米尔·普京的现代后苏联独裁政权的艺术结束,以乌克兰独立广场的抗议艺术和艺术家反对俄乌战争的反战运动结束。本课程首先介绍了《赫鲁晓夫解冻》(Khrushchev Thw)对文学和电影的影响,这为苏联广大观众的抗议艺术开辟了道路。我们探索了在政治不自由的条件下抗议艺术的不同方法:“不墨守成规”、“持不同政见者”、“模仿”、“反叛”。这门课调查艺术自由的存在主义的flICT和威权主义的政治机器。这些主题通过艺术家作品和传记中的特殊例子在不同的水平上进行探索。学生沉浸在不同流派的作品中:ffLMS、歌曲、表演、戏剧和文学作品。胡
This interdisciplinary seminar is devoted to the study of protest art as part of the struggle of society against authoritarianism and totalitarianism. It focuses on the example of the Soviet and post-Soviet transformation of Belarus, Russia, and Ukraine. The period under discussion begins aer the death of Stalin in 1953 and ends with the art of protest against the modern post-Soviet dictatorships of Alexander Lukashenka in Belarus and Vladimir Putin in Russia, the protest art of the Ukrainian Maidan and the anti-war movement of artists against the Russian-Ukrainian war. The course begins by looking at the influence of the “Khrushchev Thaw” on literature and cinema, which opened the way for protest art to a wide Soviet audience. We explore different approaches to protest art in conditions of political unfreedom: "nonconformism," "dissidence," "mimicry," "rebellion." The course investigates the existential conflict of artistic freedom and the political machine of authoritarianism. These themes are explored at different levels through specific examples from the works and biographies of artists. Students immerse themselves in works of different genres: films, songs, performances, plays and literary works. HU