Methods for singing voice control and synthesis
Methods for singing voice control and synthesis
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一种歌声控制与合成方法
DOI：
10.1121/1.2934011
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发表时间：
2008
影响因子：
2.4
通讯作者：
X. Rodet
中科院分区：
文献类型：
--
作者：
X. Rodet
合成歌声的方法多种多样。无论采用哪种方法，为了获得高质量的语音输出，都必须考虑元音的前三到五个共振峰的精确参数值。这些参数取决于许多因素，包括歌手、音符、元音、发音努力等。音符的发音通过基频、颤音、发声努力以及最终元音的共振峰特征的变化来实现。最后，辅音和元音的继承也必须得到考虑和实施。在J.Sundberg的专业知识的帮助下，Ircam在20世纪80年代开发了一种名为共振峰波形合成的方法，并开发了一个用于控制上述所有变体(辅音除外)的程序。这个程序允许高质量的歌声合成，但没有辅音。另一种合成方法是将录制的歌声单元串联起来。这提供了良好的辅音到元音发音。但它必须要..。
There are various methods to synthesize the singing voice. Whatever the method, in order to obtain high quality voice output, it is essential to respect the precise parameter values for the first three to five formants of the vowels. These parameters depend on many factors including the singer, note, vowel, vocal effort, etc. Articulation of the notes is achieved by variations of fundamental frequency, vibrato, vocal effort and eventually formant characteristics of the vowels. Finally, the succession of consonants and vowels also has to be taken into account and implemented. With the expertise of J. Sundberg, a method called Formant Waveform Synthesis and a program for the control of all the above mentioned variations, except consonants, were developed at Ircam in the 1980s. This program permitted high quality singing voice synthesis but without consonants. Another synthesis method is to is to concatenate units of recorded singing voice. This provides good consonant‐to‐vowel articulations. But it necessit...