Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression
Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression
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混合共振组合：重新思考音乐表达新界面中的乐器、触感和性能
DOI：
10.5281/zenodo.1178718
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发表时间：
2014
期刊：
影响因子：
--
通讯作者：
Annika Haas
中科院分区：
文献类型：
--
作者：
J. Bowers;Annika Haas
本文概述了混合谐振组合的概念，即由声音传感器激发的各种材料的组合，通过数字信号处理反馈给自身。我们将我们的概念作为 David Tudor、Nicolas Collins、Bowers 和 Archer [NIME 2005] 工作的延伸，并利用社会科学和哲学中的各种批判性观点来探索这种组合，作为更熟悉的仪器和界面想法的替代方案。我们为探索混合谐振组合制定了一个概念框架，并描述了我们如何实现它们。介绍了我们的绩效经验并讨论了对未来工作的影响。根据我们的工作，我们敦促重新考虑隐含的绩效规范，这些规范是 NIME 大量研究的基础。特别是，借鉴让-吕克·南希（Jean-Luc Nancy）的哲学著作，我们推荐更广泛的触摸概念，该概念也认识到抑制接触的表演价值。
This paper outlines a concept of hybrid resonant assemblages, combinations of varied materials excited by sound transducers, feeding back to themselves via digital signal processing. We ground our concept as an extension of work by David Tudor, Nicolas Collins and Bowers and Archer [NIME 2005] and draw on a variety of critical perspectives in the social sciences and philosophy to explore such assemblages as an alternative to more familiar ideas of instruments and interfaces. We lay out a conceptual framework for the exploration of hybrid resonant assemblages and describe how we have approached implementing them. Our performance experience is presented and implications for future work are discussed. In the light of our work, we urge a reconsideration of the implicit norms of performance which underlie much research in NIME. In particular, drawing on the philosophical work of Jean-Luc Nancy, we commend a wider notion of touch that also recognises the performative value of withholding contact.