The artistic precariat
The artistic precariat
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艺术不稳定者
DOI：
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发表时间：
2013
期刊：
影响因子：
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通讯作者：
Heather McLean
中科院分区：
文献类型：
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作者：
A. Bain;Heather McLean
本文探讨了过去 20 年来一些艺术家如何通过 Waterfront Trail 艺术家协会和 Don Blanche 两项艺术实验来集体解决多伦多文化部门的不稳定问题。关于艺术资助、不稳定就业和社区经济的社会科学学术文献为我们批评创意阶级理论提供了一个切入点，因为它忽视了基层为集体艺术实验空间的生产和资助而进行的斗争。我们认为，艺术家可以共享资源、合作和建立另类社区文化经济的本地、非资本主义和集体主义空间对于维持文化部门至关重要，因为它们帮助个人创意者有效地抵制创意城市脚本中自然化的新自由主义倾向。版权所有 2012，牛津大学出版社。
This article examines how some artists have collectively negotiated precarity in Toronto’s cultural sector during the last 2 decades through two arts experiments: the Waterfront Trail Artists’ Association and Don Blanche. The social scientific scholarly literature on arts funding, precarious employment and community economies provides an entry point for our critique of the creative class theory for its neglect of grassroots struggles to produce and fund spaces of collective artistic experimentation. We argue, that local, non-capitalist and collectivist spaces, where artists can share resources, collaborate and build an alternative community cultural economy, are essential for sustaining the cultural sector because they assist individual creatives to performatively resist neo-liberal tendencies naturalized in the creative city script. Copyright 2012, Oxford University Press.