Die „moderne Seele“ und ihre Topologie: Penčo Slavejkovs Slavenbilder
Die „moderne Seele“ und ihre Topologie: Penčo Slavejkovs Slavenbilder
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“现代 Seele” 和 ihre 拓扑：Penčo Slavejkovs Slavenbilder
DOI：
10.1524/slaw.2011.0028
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发表时间：
2011
影响因子：
0.2
通讯作者：
Katerina Kroucheva
中科院分区：
文献类型：
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作者：
Katerina Kroucheva
摘要 彭科·斯拉维科夫作品中对斯拉夫人形象的反思为对现代和前卫的“民族”概念进行更普遍的研究提供了一个组成部分。关于“现代灵魂”及其地形特征的各种想法对于这些概念至关重要。现代主义时期的悖论之一是“灵魂”——通常首先被定义为非物质的和非历史的——可以由地理和种族决定。对“斯拉夫灵魂”的反思在斯拉韦伊科夫的美学中起着至关重要的作用，同时也伴随着对其他种族（例如日耳曼族或拉丁族）的贬损态度。尽管如此，斯拉韦伊科夫现在被描绘成任何民族主义的讽刺对手。本文试图在保加利亚文学批评的关键概念中，即“欧洲”和“迟来的民族”的概念中，对斯拉维科夫的这种描述进行解释。
Abstract These reflections on the images of the Slavs in Penčo Slavejkovs work provide a component of a more general study on modern and avant-garde concepts of ‘the nation’. Various ideas on the ‘modern soul’ and its topographical character are essential for these concepts. One of the paradoxes of the period of modernism is that the ‘soul’, – which is usually first and foremost defined as being immaterial and a-historical – can be geographically and ethnically determined. The reflections on the ‘Slavic Soul’, which play a crucial role in Slavejkovs aesthetics, are accompanied by a derogatory attitude towards other ethnicities, such as the Germanic or Latin. Nonetheless, Slavejkov is nowadays portrayed as an ironical opponent of any nationalism. The essay at hand seeks an explanation for such a characterization of Slavejkov in the key concepts of Bulgarian literary criticism, namely in the notions of “Europe” and “the Belated Nation”.