Units of knowledge in music performance.

Units of knowledge in music performance.
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音乐表演的知识单元。

DOI:
10.1037//0278-7393.19.2.457
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发表时间:
1993
期刊:
Journal of experimental psychology. Learning, memory, and cognition
影响因子:
--
通讯作者:
vandeSande,C
vandeSande,C
中科院分区:
--
文献类型:
--
作者:
Palmer,C;vandeSande,C

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形成音乐表演认知计划的知识单元在制作错误中进行了检查。在实验1中,钢琴家进行多声谐音音乐(包含强大的跨声音协会)和复调音乐(包含强大的声音内协会)。音高错误反映了更多的和弦(跨声)单位在谐音演奏和更多的单音单位在复调演奏。错误指令的和谐和自然相关的预期音高往往比机会,这表明检索为基础的影响规划。在实验2中,钢琴家将几个声音中的一个概念化为旋律。由右手外指(旋律的一个常见位置)控制的旋律和声音包含较少的错误,这意味着有概念,检索为基础的,和发音的知识单位,有助于规划音乐表演的影响。
The units of knowledge that form cognitive plans for music performance were examined in production errors. In Experiment 1, pianists performed multivoice homophonic music (containing strong across-voice associations) and polyphonic music (containing strong within-voice associations). Pitch errors reflected more chordal (across-voice) units in homophonic performances and more single-note units in polyphonic performances. Error instructions were harmonically and diatonically related to their intended pitches more often than chance, which demonstrates retrieval-based influences on planning. In Experiment 2, pianists conceptualized one of several voices as melody. Both the melody and the voice controlled by outer right-hand fingers (a common location of melody) contained fewer errors, which implies that there are conceptual, retrieval-based, and articulatory influences on units of knowledge that contribute to planning music performance.
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影响因子: --
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