Politics and Aesthetics in Electronic Music: A Study of EMS - Elektronmusikstudion Stockholm, 1964-79
Politics and Aesthetics in Electronic Music: A Study of EMS - Elektronmusikstudion Stockholm, 1964-79
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电子音乐中的政治与美学：EMS 研究 - Elektronmusikstudion 斯德哥尔摩，1964-79
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发表时间：
2015
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通讯作者：
Sanne Krogh Groth
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作者：
Sanne Krogh Groth
这本书是第一本探索瑞典电子音乐工作室EMS历史的书。EMS成立于1964年，旨在创建一个声音和声音感知研究的国际中心，并建立世界上最先进的混合工作室之一。工作室的主要创建者植根于瑞典现代主义，并根据当时的社会民主主义文化政策塑造了EMS项目。这使得该项目能够获得持续的资金支持，例如：G. 1969年买了一台电脑。大型摄影棚的建造是一个复杂而漫长的过程。在建筑进行期间，许多作曲家在EMS的原则临时工作室工作，在那里他们创作了所谓的文本声音作品。随着时间的推移，这个工作室被磨损了，作曲家要求新的模拟设备。董事会反对作曲家的愿望，因为他们宁愿继续在数字控制模拟设备和计划的研究项目的原始股份。基于这些理由，发生了许多分歧和冲突。（减）
This book is the first to explore the history of the Swedish electronic music studio EMS. EMS was established in 1964 with the intent to create an international center for research in sound and sound perception, and to build one of the world’s most advanced hybrid studios. The principal creators of the studio were rooted in Swedish modernism, and had the EMS-project shaped in accordance to the social democratic cultural policy of the time. This enabled the project to achieve continuous financial support, e. g. to purchase a computer in 1969. The construction of the large studio was a complicated and prolonged process. While the building was underway, many composers worked in EMS’s principle provisional studio, where they among other pieces created the so-called text sound compositions. Over time this studio was worn, and the composers asked for new analog equipment. The board of directors opposed the composers’ whishes because they preferred to continue the original stake at digitally controlled analog apparatus and the planned research project. On these grounds many disagreements and conflicts occurred. (Less)