Glocal Routes in British Asian Drama: Between Adaptation and Tradaptation
Glocal Routes in British Asian Drama: Between Adaptation and Tradaptation
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英国亚洲剧的全球本土化路线：改编与改编之间
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
C. Schlote
中科院分区：
文献类型：
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作者：
G. Buonanno;Victoria Sams;C. Schlote
在英国亚洲戏剧和寻求流散戏剧美学的背景下，改编的实践已经成为一个反复出现的特征。在过去的几十年里，英国亚洲戏剧一直在寻求创造一种能够反映英国亚洲人文化遗产的戏剧语言;这种探索采取了不同的方向，这一点也被今天构成英国亚洲戏剧的多种声音所证明，并回应了挑战英国和亚洲概念二元性的需要，旨在舞台上肯定南亚文化是英国文化的一个组成部分。改编也在突出地方和全球之间的辩证关系方面发挥了作用，特别是在英国西北部等地区可以在舞台上重新塑造为南亚英国文化空间的情况下。在追溯了塔拉艺术从改编到翻译的开拓之旅后，我们将考察两部英属亚洲戏剧，它们是对英国戏剧的改编，属于英格兰西北部社会和文化生活中的戏剧创作传统，并在翻译中被赋予了新的生命或来世。
In the context of British Asian theatre and the search for a diasporic theatre aesthetics the practice of adaptation has emerged as a recurring feature. Over the last decades, British Asian theatre has sought to create a language of the theatre that can reflect the cultural heritage of Asians in Britain; this search has taken different directions testified also by the plurality of voices that today make up British Asian theatre and has responded to the need to challenge the conceptual binary of British and Asian, aiming to affirm South Asian culture on the stage as an integral part of British culture. Adaptation also plays a role in highlighting the dialectic between local and the global particularly in those cases where regions of Britain such as the Northwest of England can be recreated on stage as South Asian British cultural spaces. After tracing Tara Arts’s pioneering journey from adaptation to tradaptation, we will examine two British Asian plays that are adaptations of English plays which belong to a tradition of playwriting located in the social and cultural life of the Northwest of England and which are given a new life or an afterlife in translations.