Soundscape Case Study: A Tudor Soundscape in a Historic House Chapel - Origins, Challenges and Evaluation
Soundscape Case Study: A Tudor Soundscape in a Historic House Chapel - Origins, Challenges and Evaluation
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音景案例研究：历史悠久的房屋教堂中的都铎音景 - 起源、挑战和评估
DOI：
10.1111/cura.12303
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
Brooks J
中科院分区：
文献类型：
--
作者：
Brooks J
在2017年的一个广泛的保护项目中，国家信托基金与牛津大学、南安普顿大学和班戈大学的学者合作，利用对中世纪礼拜仪式的重演的研究，在贝辛斯托克附近的庄园Vyne试验了音景装置。为了应对在没有同时代收藏的情况下讲述都铎故事的挑战，Soundscape部署了特别委托的新录音，包括都铎复调和普通歌曲、口头和吟诵的祈祷以及福利效果，以模拟Vyne宗教改革前教堂的弥撒庆祝活动。声音场景想象了1535年的一个时刻，当时亨利八世参加了一场夫人弥撒，从他在礼拜堂上方的领主房间里的权力位置上观察了仪式。它将参观者置于他宗教改革和婚姻充满政治色彩的时间的中心，站在他的教堂官员应该站的地方，礼仪和尼古拉斯·卢德福德精心制作的复调音乐围绕着他们展开。尽管音景为在脆弱的历史房屋环境中使用声音进行身临其境的讲故事提供了一个模式，但该部门目前普遍采用的评估方法限制了对游客影响的证据。这一案例研究描述了声景的原理和结构，评估了现有证据对游客的影响，并提出了更好地评估历史房屋声景的替代方案。
During an extensive conservation project in 2017, the National Trust, working with academics from Oxford, Southampton and Bangor Universities and drawing on research in the re‐enactment of medieval liturgy, experimented with a soundscape installation at The Vyne, a manor house near Basingstoke. Dealing with the challenge of telling a Tudor story without a contemporaneous collection, the soundscape deployed specially commissioned new recordings of Tudor polyphony and plainsong, spoken and intoned prayers, and Foley effects to simulate the celebration of Mass in The Vyne's pre‐Reformation chapel. The soundscape imagines a moment in 1535 when Henry VIII attended a Lady Mass, surveying the service from his position of power in the lord's chambers above the chapel. It places visitors at the heart of a politically‐charged time for both his religious reforms and his marriage, standing where his officers of the church would have stood as the liturgy and Nicholas Ludford's elaborate polyphonic music unfolded around them. Although the soundscape provides a model for using sound in immersive storytelling in fragile historic house environments, evidence of impact on visitors is limited by current evaluation methods commonly employed in the sector. This case study describes the rationale and construction of the soundscape, evaluates existing evidence for impact on visitors, and proposes alternatives for better evaluating historic house soundscapes.