Turbulent Ecodramaturgy: The Winds of Pericles
Turbulent Ecodramaturgy: The Winds of Pericles
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动荡的生态戏剧学：伯里克利之风
DOI：
10.1080/14688417.2024.2307984
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发表时间：
2024
期刊：
影响因子：
--
通讯作者：
O'Malley E
中科院分区：
文献类型：
--
作者：
O'Malley E
在将《伯里克利》作为一个书面和表演的文本时，我们立即被情节叙事中蜿蜒曲折的复杂潮流所打动--动作和呼吸引导的对话的潮流混合在一起，缠绕在想象中的地中海的虚构微风之上和之下，也许也缠绕在露天场地的真实气流周围。我们提供对《伯里克利之风》的生态戏剧学阅读，希望它也能提出这样的可能性：意识到戏剧的气流如何影响观众体验的活跃性、接收的细微差别以及相关的环境忧虑--甚至，或者也许特别是，当涉及到表演中难以遇到的作品时。
In encounteringPericlesas a written and performed text, we are struck immediately by the intricate currents thatwindthrough the episodic narrative – currents of action and breath-guided dialogue mingling, twining through and above and under and about the fictive breezes of an imagined Mediterranean, as well perhaps as through and around the actual draughts of an open-air venue. We offer our ecodramaturgical reading of the winds ofPericlesin the hope that it might likewise suggest the possibilities offered by an awareness of how a play’s aerial currents can affect the liveness of audience experience, the nuances of reception, and the related apprehension of environment – even, or perhaps especially, when it comes to works that are difficult to encounter in performance.