Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday
Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday
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中世纪西班牙的发光哈加多：圣经意象和逾越节假期
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发表时间：
2006
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通讯作者：
Katrin Kogman
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作者：
Katrin Kogman
对于学者感兴趣的中世纪犹太教和基督教的关系在中世纪，这本书照亮哈加达从中世纪西班牙：圣经意象和逾越节假期是一个迷人的和启发性的阅读。研究中世纪论战论文的学者从他们阅读和评估的文本中获得了基督教-犹太教互动的知识。他们的任务不仅是分析和解释这些词在他们的宗教和社会世界中的含义，而且还要试图理解为什么这些文本在他们自己的时代出现，以及它们如何反映特定时期的基督教-犹太教互动。这部作品的重点是在艺术上，出现在文本中，是如此核心的犹太人生活在中世纪：haggadot或逾越节家宴礼仪。通过对这些精神艺术和仪式作品的分析，作者不仅帮助我们更完整地了解这一时期犹太人的内心生活，而且还帮助我们了解犹太人如何对他们共同分享的圣经段落的基督教视觉呈现做出反应：创世纪和出埃及记。这些haggadot，这是出现在一个单独的文本在十三世纪，举行了一个主要的关键，为更深入地了解中世纪犹太人的生活和犹太人与基督教的互动的基础上出现在这些逾越节礼仪的通道。
For scholars interested in medieval Jewish and Christian relations in the Middle Ages, the book Illuminated Haggadot from Medieval Spain: Biblical Imagery and the Passover Holiday is a fascinating and enlightening read. Scholars who work on medieval polemical treatises derive their knowledge of Christian-Jewish interaction from the texts they read and evaluate. Their task is to not only to analyze and interpret what these words mean in their religious and social worlds, but also to try to understand why these texts arose in their own time and how they reflect on Christian-Jewish interaction in a specific time period. The focus of this work under review is on the art that appears in texts that were so central to Jewish life in the middle ages: the haggadot or the Passover seder liturgies. From an analysis of these works of spiritual art and ritual the author helps us understand in a more complete way not only the inner life of Jews during this time period, but also how Jews were reacting to Christian visual presentations of biblical passages that they both shared: Genesis and Exodus. These haggadot, which emerged as a separate text in the thirteenth century, hold a primary key for a deeper understanding for medieval Jewish life and Jewish-Christian interaction based on the passages that appear in these Passover liturgies.