Poetry and Bondage
Poetry and Bondage
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诗歌与束缚
DOI：
10.1017/9781108990684
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发表时间：
2021
影响因子：
0.5
通讯作者：
A. Brady
中科院分区：
文献类型：
--
作者：
A. Brady
《诗歌与束缚》是对诗歌束缚史的开创性和综合性研究。几千年来，诗人把诗比作束缚——锁链、脚镣、牢房或奴役。从奥维德到现在，安德里亚·布雷迪追溯了这个隐喻，揭示了实际上处于束缚中的人们对诗学的贡献。书中问道，如果我们倾听被奴役和监禁的诗人的声音，我们对抒情诗——以及抒情诗所代表的政治自由和人类形式——的理解会发生怎样的变化？从托马斯·怀亚特到罗布·哈尔彭，从艾米丽·狄金森到诺贝斯·菲利普，从菲利斯·惠特利到丽莎·罗伯逊，这本书将经典诗人与当代诗人进行了对话，还研究了从种植园和监狱中产生的诗歌。这本书是对抒情研究和文学批评的一次重大干预，对这些学科的白化进行了质疑，并探索了今天致力于诗歌的可能性。
Poetry and Bondage is a groundbreaking and comprehensive study of the history of poetic constraint. For millennia, poets have compared verse to bondage – chains, fetters, cells, or slavery. Tracing this metaphor from Ovid through the present, Andrea Brady reveals the contributions to poetics of people who are actually in bondage. How, the book asks, does our understanding of the lyric – and the political freedoms and forms of human being it is supposed to epitomise – change, if we listen to the voices of enslaved and imprisoned poets? Bringing canonical and contemporary poets into dialogue, from Thomas Wyatt to Rob Halpern, Emily Dickinson to M. NourbeSe Philip, and Phillis Wheatley to Lisa Robertson, the book also examines poetry that emerged from the plantation and the prison. This book is a major intervention in lyric studies and literary criticism, interrogating the whiteness of those disciplines and exploring the possibilities for committed poetry today.