From backlot to runaway production: exploring location and authenticity in film-induced tourism.

From backlot to runaway production: exploring location and authenticity in film-induced tourism.
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从外景地到失控的制作:探索电影引发的旅游的地点和真实性。

DOI:
10.3727/154427209789604570
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发表时间:
2009
影响因子:
1.7
通讯作者:
W. Frost
W. Frost
中科院分区:
--
文献类型:
--
作者:
W. Frost

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电影可能代表一个地方,但在另一个地方制作。在电影制作的早期,确实如此
Films may represent one place but be made at another. In the early years of filmmaking, quite elaborate sets were constructed on studio backlots. In recent years, runaway productions have represented the United States while being shot in other countries. The dissonance between film setting and film location raises the question of which is more likely to attract tourists. It also suggests that tourists may have difficulties with authenticity. This article seeks to examine these issues by taking a historical approach to the changing ways in which location has been used by filmmakers over time.