Cantologies
Cantologies
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本体论
作者：
M. Denning;Gary A. Tomlinson
歌谣学提出了一种处理人类文化中普遍存在的歌曲冲动的方法。它的目的是通过辨别歌曲的构成、沿着歌曲的方式定义社会和历史经验的可能性条件，将我们的注意力从音乐学和民族音乐学审查的更受限制的对象上转移开。这些构成，是诗歌学广泛范围内的局部现象，产生于文化生产层面的相互作用，包括表演性、话语性、元话语性和考古性。我们概述了一种歌谣理论，然后简要描述了从十六世纪到二十一世纪的西方四种连续的歌曲形式。
Cantology names an approach to the songish impulses that are a ubiquitous aspect of human cultures. It aims to divert our attention from the more restricted objects of musicological and ethnomusicological scrutiny by discerning song formations, conditions of possibility that define experiences of society and history along songish lines. These formations, local phenomena in cantology’s broad purview, emerge from the interactions of levels of cultural production including the performative, the discursive, the metadiscursive, and the archaeological. We outline a cantological theory, then briefly characterize four successive song formations in the West, reaching from the sixteenth century to the twenty-first.