The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model
The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model
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基本旋律结构的分析与认知：蕴涵实现模型
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发表时间：
1990
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通讯作者：
E. Narmour
中科院分区：
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作者：
E. Narmour
尤金·纳摩建立了一套完整的旋律句法理论，从最基本的层面上解释了旋律音调之间的认知关系。对伦纳德B理论的扩展。迈耶，作者开发了一个简约的，规模化的一套规则建模的含义和实现的所有主要参数的音乐。他通过一种精心设计的、独创性的分析符号学，表明了一种“遗传密码”支配着对旋律的感知和认知。一种是自下而上对文体原语进行自动化的“蛮力”系统。另一个是一个自上而下影响文体结构的习得图式系统。Narmour使用的理论常数与上下文无关，因此适用于所有风格的旋律。他相当重视听众的认知表现（即基本的旋律感知，而不是后天获得的音乐能力）。他几乎完全专注于低层次的，笔记到笔记的关系。其结果是一个高度概括的理论，适用于研究与旋律的分析和认知有关的各种心理学和音乐理论问题。“在这本创新的，具有里程碑意义的书中，一位杰出的音乐理论家从各种学科，特别是从认知心理学和音乐理论中广泛借鉴，为旋律的理解建立了一个优雅而有说服力的框架。所有对音乐有浓厚兴趣的学者都应该读这本书。“--Diana多伊奇，《音乐感知》编辑
Eugene Narmour formulates a comprehensive theory of melodic syntax to explain cognitive relations between melodic tones at their most basic level. Expanding on the theories of Leonard B. Meyer, the author develops one parsimonious, scaled set of rules modeling implication and realization in all the primary parameters of music. Through an elaborate and original analytic symbology, he shows that a kind of "genetic code" governs the perception and cognition of melody. One is an automatic, "brute" system operating on stylistic primitives from the bottom up. The other constitutes a learned system of schemata impinging on style structures from the top down. The theoretical constants Narmour uses are context-free and, therefore, applicable to all styles of melody. He places considerable emphasis on the listener's cognitive performance (that is, fundamental melodic perception as opposed to acquired musical competence). He concentrates almost exclusively on low-level, note-to-note relations. The result is a highly generalized theory useful in researching all manner of psychological and music-theoretic problems concerned with the analysis and cognition of melody. "In this innovative, landmark book, a distinguished music theorist draws extensively from a variety of disciplines, in particular from cognitive psychology and music theory, to develop an elegant and persuasive framework for the understanding of melody. This book should be read by all scholars with a serious interest in music."--Diana Deutsch, Editor, Music Perception