Cinematic Representation of Chinese-Indonesians’ Trauma in Jason Iskandar The Day The Sky Roared
Cinematic Representation of Chinese-Indonesians’ Trauma in Jason Iskandar The Day The Sky Roared
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杰森·伊斯干达《天空咆哮之日》以电影方式呈现印尼华人的创伤
DOI：
10.21512/lc.v13i4.6000
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
Anton Sutandio
中科院分区：
文献类型：
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作者：
Anton Sutandio
这项研究分析了一部名为《天空咆哮的那一天》（2015）的当代独立印尼电影，由杰森·依斯干达执导。这部10分钟的无声电影，透过一对母女的眼睛，讲述了华人对1998年5月悲剧的历史创伤的焦虑。事实上，这部电影是在悲剧发生后大约17年制作的，这表明导演意识到，由于缺乏和解和关闭，创伤仍然存在。本研究将展示短片如何架构华裔的事件和创伤。本研究将创伤研究与电影研究相结合，着重于对电影摄影和场景的视觉分析，以展示华裔创伤的电影表现。研究结果表明，华人的写照仍然强烈地表明，未缓解的心理不适，虽然在不同的水平，这是密切相关的创伤过去和普遍存在的刻板印象的华人。
This research analyzed a contemporary independent Indonesian film entitled The Day the Sky Roared (2015) that was directed by Jason Iskandar. This 10-minute silent film talked about the anxiety of Chinese-Indonesians through the eyes of a mother and her daughter regarding the historical trauma of the May 1998 tragedy. The fact that the film was produced about 17 years after the tragedy suggested the director’s awareness that the trauma remained due to the absence of reconciliation and closure. This research would show how the short film frames the incident and trauma of the Chinese-Indonesians. The research was a combination of trauma studies and film studies that focuses on the visual analysis of the film’s cinematography and mise-en-scene to show the cinematic representation of Chinese-Indonesians’ trauma. The findings show that the portrayal of Chinese-Indonesians still strongly suggests unrelieved psychological discomfort, albeit, at different levels, that is closely related to the traumatic past and the pervasive stereotyping of Chinese-Indonesians.