Broadcasting and national imagination in postcommunist Latvia: defining the nation, defining public television by Janis Juzefovics
Broadcasting and national imagination in postcommunist Latvia: defining the nation, defining public television by Janis Juzefovics
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后共产主义拉脱维亚的广播和国家想象力:定义国家,定义公共电视作者:Janis Juzefovics
DOI:
10.1080/01629778.2018.1499996
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发表时间:
2018
影响因子:
0.4
通讯作者:
Andrejevs D
中科院分区:
文献类型:
--
作者:
Andrejevs D
Since the Ukraine crisis seized international news headlines in 2013, Latvian anxieties about the loyalty of its Russian-speaking population and RussiaLs intentions in the region reached new heights. The internal dynamics of the preceding years saw little change in levels of mistrust. As the opening pages of the book remind us (9-13), the results of the parliamentary elections in 2011 and the preparation for the language referendum of 2012 contributed to public awareness of existing ethnolinguistic (media) conflicts. In this context of Ldeep-seated rifts in the society and the polarized media preferences of both ethno-linguistic communities, L the task before Jãnis Juzefoviçs was to identify the Lattitudes and actions Latvian-speaking majority and Russian-speaking minority publics have taken as a response to the Latvian public television LTV as a nation-building projectL (11, 131). The book addresses a twofold challenge-the under-researched literature on media practices among Russian-speakers in the Baltic states and the dominance of macrostructural analyses of media transformations in central and eastern Europe (3-4). The claim to novelty of the present study, therefore, lies in its methodological approach. In this respect, the interested reader will be able to find a concise and reflective description of Jãnis JuzefoviçsLs focus groups and ethnographic family observations in the introductory chapter and appendices. The following chapter builds upon the works of authors such as Benedict Anderson and Philip Schlesinger to demonstrate the role of public broadcasters in the creation and demarcation of national unit (y). While Michael BilligLs seminal work on Lbanal nationalismL is discussed here, wider engagement with the scholarship on Leveryday nationhoodL would have provided a valuable addition, considering the focus on audience agency. The second half of the chapter aptly surveys the Latvian media landscape and sketches a history of the Latvian public broadcaster Latvian Television (LTV) as a nation-building project based on the institutionalized Lraw material of national imaginationL (ie the Latvian language and culture)(27). Saliently, the concluding pages of this first chapter outline Albert HirschmanLs theory of Lexit, voice and loyaltyL (37-39). The framework provides a theoretical foundation for the rest of the book, whereby JuzefoviçsLs notion of Lexit as voiceL is particularly notable. While the author makes a good case for the use of HirschmanLs model, the discussion could have benefited from a more exhaustive consideration of its limitations and importantly, its rich alternatives in the study of consumer/citizen agency. Overall, while the model provides a useful heuristic tool, it sits somewhat uncomfortably in the context of a largely ethnographic study.