Atlas of Knowledge: Anyone Can Map
Atlas of Knowledge: Anyone Can Map
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知识地图集：任何人都可以绘制地图
DOI：
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发表时间：
2016
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影响因子：
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通讯作者：
B. Smith
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文献类型：
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作者：
B. Smith
技术手册（Feller, Mayer, Clarke）和符号词典（Chevalier, Gheerbrant, Cooper）到理论和科学论文（Cennini, Alberti, de Piles, Chevreul, Rood, Itten）， Pastoureau的调查将装饰绘画，手稿照明，雕塑，纺织品，服装和纹章标志的颜色定义为一种社会现象。“是社会‘制造’了颜色，”他声称，“是社会赋予了颜色定义和意义，是社会构建了颜色的规范和价值。”帕斯图罗是法国索邦大学École高级研究中心的中世纪历史和西方象征主义教授，他出版了大量关于颜色、中世纪象征主义和纹章学的文化意义的书籍，其中包括《树木的历史》、《树木的历史》和《熊：一个堕落国王的历史》等精美的书籍。与词源学密切相关，作者引用了源自荷马创造的glaukos和chloros等术语的内涵；viridis，在罗马人中使用；还有西尔瓦和西尔瓦提库斯来自中世纪的口述传统和纹章学。他考虑了矿物学、贸易网络、染料和人造色素，以及涉及监管行会、奢侈品法、药用植物和除草剂的工业实践。他认为绿色是一种矛盾的颜色，化学性质不稳定，会随着时间的推移而褪色，暗示着生命、成长、自然和希望，也暗示着疾病、恶魔和腐烂。圣经的象征主义、礼拜仪式的紧急情况、阿拉伯医学、新教改革、反偶像主义、宫廷浪漫主义和文艺复兴时期的猜测，科学革命和牛顿的光折射实验之后的实证研究，导致了更系统的色彩理论，这些理论受到分析心理学、生理学、物理学和后来的心理学的影响
technical handbooks (Feller, Mayer, Clarke) and dictionaries of symbols (Chevalier, Gheerbrant, Cooper) to theoretical and scientific treatises (Cennini, Alberti, de Piles, Chevreul, Rood, Itten), Pastoureau’s investigation defines the color that embellishes painting, manuscript illumination, sculpture, textiles, costume and heraldic emblems as a social phenomenon. “It is the society that ‘makes’ color,” he claims, “that gives it its definitions and meaning, that constructs its codes and values.” A French professor of Medieval History and Western Symbolism at the Sorbonne’s École pratique des hautes etudes, Pastoureau has published extensively on the cultural significance of color, medieval symbolism and heraldry, with books that include such exquisite titles as L’arbre: histoire naturelle et symbolique de l’arbre, du bois et du fruit au moyen age and The Bear: History of a Fallen King. Closely attuned to etymology, the author cites connotations that derive from terms such as glaukos and chloros, coined in Homer; viridis, in use among the Romans; and silva and silvaticus from the medieval oral tradition and the heraldic sinople. He considers mineralogy, trade networks, dyes and artificial pigments as well as industrial practices involving regulatory guilds, sumptuary laws, medicinal plants and herbicides. He regards green, chemically unstable and subject to fading over time, as an ambivalent color, suggestive of life, growth, nature and hope as well as sickness, demonism and putrefaction. Variously informed by biblical symbolism, liturgical exigency, Arabic medicine, the Protestant Reformation, iconoclasm, courtly romance and Renaissance speculation, empirical studies in the aftermath of the Scientific Revolution and Newton’s experiments in light refraction led to more systematic color theorizations informed by analytic psychology, physiology, physics and later b o o k s