Film Censorship and Progressive Reform
Film Censorship and Progressive Reform
复制标题
电影审查制度和渐进式改革
DOI:
10.1080/00472719.1975.10661767
复制
发表时间:
1975
期刊:
影响因子:
--
通讯作者:
R. Fisher
中科院分区:
文献类型:
--
作者:
R. Fisher
Much of the legacy of urban cultural reform in the early twentieth century appears meaningless, ridiculous, or offensive to our liberation-oriented civilization. Victorian standards of morality, prohibition," proper conduct" evoke condescending smiles; Americanization programs, efforts to achieve" social control" and a" higher life" culture provoke scorn in a generation wary of the motivations of politicians and businessmen. While there is much to smile and scowl at in these dimensions of Progressive reform, a study of those Progressives sincerely committed to improvi: qg the quality and welfare of all segments of society-through democratic methods-is neither fruitless nor irrelevant, and their program not without virtues.The People's Institute of New York City was one civic organization that expressed opinions and supported programs characteristic of this kind of Progressivism. Unlike most" reformers," the Institute sincerely encouraged civic activism, participatory democracy, and cultural pluralism and designed programs to assist not control its working-class participants. In addition, like many people today, Institute leaders feared the route being followed by a materialist society devoid of" healthful" values, and unlike most, then and today, worked indefatigably, during the life span of the Institute, 1897 to 1934, to" uplift" the quality of modern urban life. Towards this goal the Institute sponsored an impressive array of activities for immigrants and wage-earners. It conducted educational lectures on intellectual, political, and religious matters, supported and promoted