Black Rock Routes through scenographic translation, from mountain climbing to performance
Black Rock Routes through scenographic translation, from mountain climbing to performance
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黑岩路线通过场景转换，从登山到表演
DOI：
10.1080/13528165.2019.1624025
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发表时间：
2019
影响因子：
0.1
通讯作者：
Shearing D
中科院分区：
文献类型：
--
作者：
Shearing D
本文追溯了Black Rock的发展，这是一个沉浸式多媒体表演，灵感来自Johnny Dawes臭名昭着的1986年首次缺席的Indian Face（E9 6c）。Black Rock是由Jonathan Pitches领导的AHRC研究项目Performing Mountainan的一部分，旨在质疑：在多大程度上可以将登山的经验转化为地面上的观众？为了解开这一复杂的具体追求，我通过五条路线来展示我的发现：个人山脉，线条语言和运动的姿态，工艺氛围和呼吸。这些路线提出了一种整体的实践研究方法，结合了联合收割机第一手的现场研究，历史研究，表演理论，合作者和观众的见解以及我作为首席艺术家的反思性见解。最后，我探讨如何透视翻译的行为可以被看作是对原始源材料的补充。
This article traces the developments ofBlack Rock, an immersive multimedia performance inspired by Johnny Dawes infamous 1986 first absent ofIndian Face(E9 6c).Black Rock, developed as part ofPerforming Mountainsan AHRC research project led by Jonathan Pitches, aimed to question: to what extent can the experience of mountain climbing be translated to an audience on the ground? In order to unpack this complex embodied pursuit, I present my findings through five routes; Personal Mountains, The Gesture of a Line Language and Movement, Crafting Atmosphere and Breath.The routes present a holistic approach to practice research that combine first hand site-based research, historical research, performance theory, collaborator and audience insights and my own reflective insights as the lead artist. I conclude by exploring how the act of scenographic translation can be seen as a supplement to the original source material.