Time and Place Are Nonsense: The Films of Seijun Suzuki
Time and Place Are Nonsense: The Films of Seijun Suzuki
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时间和地点都是无意义的：铃木诚顺的电影
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发表时间：
2015
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影响因子：
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通讯作者：
Tom Vick
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作者：
Tom Vick
20世纪50年代和60年代，日本电影导演铃木清俊开始了他的职业生涯，为日胜工作室制作越来越离谱的B电影（他最终因风格过激而被解雇）。十多年后，他将自己重塑为一名独立电影制片人，拥有独特的古怪视角。他仍然是日本以外的崇拜人物，他的影响力可以从吉姆·贾木许、巴兹·鲁曼和昆汀·塔伦蒂诺等不同导演的作品中看出。《时间和地点都是废话》是第一部对他的英语作品进行的长达一本书的研究，旨在通过分析二战后日本的文化和政治动荡以及影响这些电影的美学传统来提高对他的电影的欣赏。
Japanese film director Seijun Suzuki began his career making increasingly outrageous B movies for Nikkatsu Studios in the 1950s and 1960s (he was eventually fired for his stylistic excesses). More than ten years later, he reinvented himself as an independent filmmaker with a uniquely eccentric vision. He remains a cult figure outside of Japan and his influence can be seen in the work of directors as diverse as Jim Jarmusch, Baz Luhrmann, and Quentin Tarantino. Time and Place Are Nonsense, the first book-length study of his work in English, aims to enhance the appreciation of his films by analyzing them in light of the cultural and political turmoil of post-World War II Japan and the aesthetic traditions that inform them.