From text to performance in the Elizabethan theatre : preparing the play for the stage
From text to performance in the Elizabethan theatre : preparing the play for the stage
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从文本到伊丽莎白剧院的表演：为舞台准备戏剧
DOI：
10.2307/3735142
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发表时间：
1994
期刊：
影响因子：
--
通讯作者：
D. Bradley
中科院分区：
文献类型：
--
作者：
D. Bradley
大卫·布拉德利着手探索伊丽莎白时代的戏剧公司是如何为表演准备戏剧的：剧作家如何理解演员的组成-他们为之写作的公司，演员如何遵循他们的出入口指示，以及当戏剧被改编为人员变动或为其他公司改编时会发生什么。布拉德利的证据包括七个戏剧情节和17个手稿戏剧，其中一些来自莎士比亚剧场玫瑰剧院的戏剧作品。布拉德利的结论可以外推，以扩大我们对其他公司及其在伊丽莎白时代戏剧中的剧目的了解。这本书包含了那个时期印刷情节的复印件，附录列出了剧作家、戏剧、戏剧公司和表演所需的演员数量，以及广泛的参考文献。大卫·布拉德利着手探索伊丽莎白时代的戏剧公司是如何为表演准备戏剧的：剧作家如何理解演员的组成-他们为之写的公司，演员如何按照他们的指示进出，以及当戏剧被改编成人员变动或为其他公司改编时发生了什么。布拉德利的证据包括七个戏剧情节和17个手稿戏剧，其中一些来自莎士比亚剧场玫瑰剧院的戏剧作品。布拉德利的结论可以外推，以扩大我们对其他公司及其在伊丽莎白时代戏剧中的剧目的了解。这本书包含了那个时期印刷情节的复印件，附录列出了剧作家、戏剧、戏剧公司和表演所需的演员数量，以及广泛的参考书目。
David Bradley sets out to discover how Elizabethan theatre companies prepared plays for performance: how playwrights understood the composition of the actor-companies they wrote for, how actors followed their directions for entrances and exits, and what happened when plays were adapted for changes in personnel or for other companies. Bradley's evidence includes seven theatre plots and seventeen manuscript plays, some from theatre productions which took place at the Shakespearean playhouse the Rose Theatre. Bradley's conclusions can be extrapolated to expand our understanding of other companies and their repertoires in Elizabethan theatre. The book contains facsimiles of printed plots from the period, an appendix listing playwrights, plays, theatre companies, and the number of actors needed for performance, as well as an extensive bibliography.David Bradley sets out to discover how Elizabethan theatre companies prepared plays for performance: how playwrights understood the composition of the actor-companies they wrote for, how actors followed their directions for entrances and exits, and what happened when plays were adapted for changes in personnel or for other companies. Bradley's evidence includes seven theatre plots and seventeen manuscript plays, some from theatre productions which took place at the Shakespearean playhouse the Rose Theatre. Bradley's conclusions can be extrapolated to expand our understanding of other companies and their repertoires in Elizabethan theatre. The book contains facsimiles of printed plots from the period, an appendix listing playwrights, plays, theatre companies, and the number of actors needed for performance, as well as an extensive bibliography.