“Choreography for One, Two, and Three Legs” (A Phenomenological Meditation in Movements)
“Choreography for One, Two, and Three Legs” (A Phenomenological Meditation in Movements)
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“一条腿、两条腿、三条腿的编排”（动作中的现象学冥想）
DOI：
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发表时间：
2005
期刊：
影响因子：
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通讯作者：
V. Sobchack
中科院分区：
文献类型：
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作者：
V. Sobchack
摘要“一条腿、两条腿和三条腿的舞蹈编排”从“不同能力”的个体的各种角度出发，探讨了身体运动和表达的有意形成。探讨它是一个非舞者体验各种节奏和运动和空间与拐杖，假肢，和手杖，本文交织的现象学描述和解释突然陌生化的日常活动与话语来自专业舞者谁是“不同的能力”的经验。其目的是突出一种更普遍意义上的具体化和表达性运动的不透明性、模糊性和模糊性，这种运动包括有能力的人和“不同能力的人”，以及不跳舞的人和跳舞的人，并承认有生命的和有生命的身体是使我们所有的思想、运动和表达模式成为可能的共同基础，无论它们的无数形式和满足如何不同。
Abstract‘Choreography for One, Two, and Three Legs’ approaches the intentional formation of bodily movement and expression from the various perspectives of individuals who are ‘differently abled.’ Exploring what it is for a non-dancer to experience various rhythms and movements and spaces with crutches, prosthetic leg, and cane, the essay interweaves phenomenological description and interpretation of suddenly defamiliarized daily activities with discourse drawn from the experiences of professional dancers who are ‘differently abled’. The aim is to foreground the opacities, transparencies, and ambiguities of a more general sense of embodied and expressive movement that subtends the abled and ‘differently abled’ and the non-dancer and dancer, and to acknowledge the lived and living body as the common ground that enables all of our thoughts, movements, and modes of expression, however differentiated their myriad forms and satisfactions.