Mapping the Terrain: a Survey of Site-Specific Performance in Britain
Mapping the Terrain: a Survey of Site-Specific Performance in Britain
复制标题
绘制地形图：英国特定地点表现的调查
DOI：
10.1017/s0266464x02000234
复制
发表时间：
2002
影响因子：
0.1
通讯作者：
F. Wilkie
中科院分区：
文献类型：
--
作者：
F. Wilkie
谁在英国制作特定地点的表演？谁看到它？这些表演在哪里发生，或者更具体地说，“发生”？使用什么工具来构建场所表演？为什么选择特定站点模式？而且，至关重要的是，它是如何被不同地定义的？菲奥娜·威尔基 (Fiona Wilkie) 根据 2000 年 11 月至 2001 年 12 月期间对英国从业者进行的调查，着手探讨这些问题。在指出“特定场地”一词可能描述的各种实践的同时，她分析了这种概括的含义——关于所选表演场地的类型、资助政策对正在制作的作品特征的影响、确定“特定场地”观众的可能性，以及围绕术语本身的争论。菲奥娜·威尔基 (Fiona Wilkie) 目前正在萨里大学攻读博士学位，本文即以此为基础，旨在开发一个针对特定场地表演的理论模型，特别是针对观众角色。
Who is producing site-specific performance in Britain? Who sees it? Where do these performances occur, or, more particularly, ‘take place’? What tools are used to construct a performance of place? Why is the site-specific mode chosen? And, crucially, how is it variously defined? Drawing on a survey of British practitioners conducted between November 2000 and December 2001, Fiona Wilkie sets out to explore these questions. While pointing to the wide variety of practices that might be delineated by the term ‘site-specific’, she analyzes the implications of such generalizations as can be made – about the types of performance site chosen, the effects of funding policy on the character of work being made, the possibilities for identifying a ‘site-specific’ audience, and the debates surrounding the terminology itself. Fiona Wilkie is currently completing a PhD at the University of Surrey, on which this article is based, which aims to develop a theoretical model for site-specific performance, with particular reference to the spectatorial role.