Deformable Interfaces for Performing Music
Deformable Interfaces for Performing Music
复制标题
用于表演音乐的可变形界面
DOI：
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
Kasper Hornbæk
中科院分区：
文献类型：
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作者：
G. M. Troiano;E. Pedersen;Kasper Hornbæk
可变形界面为手势提供了新的可能性，其中一些在受控实验室研究中已被证明是有效的。然而，很少有工作试图将可变形界面与要求苛刻的领域相匹配，并在实验室外对其进行评估。我们研究音乐家如何使用可变形的接口来执行电子音乐。我们邀请音乐家参加了三个研讨会，在那里他们探索了10个可变形的物体，并就如何使用这些物体来演奏音乐产生了想法。根据研讨会的结果，我们在五个首选对象中安装了传感器，并对它们进行了编程以控制声音。接下来，我们进行了一项性能研究，六位音乐家在他们的工作室用这些物品演奏音乐。我们的研究结果表明，（1）音乐家系统地映射变形到某些音乐参数，（2）音乐家使用可变形的接口，特别是过滤和调制的声音，（3）音乐家认为，可变形的接口体现了他们控制的参数。我们讨论了这些结果意味着在可变形界面的研究。
Deformable interfaces offer new possibilities for gestures, some of which have been shown effective in controlled laboratory studies. Little work, however, has attempted to match deformable interfaces to a demanding domain and evaluate them out of the lab. We investigate how musicians use deformable interfaces to perform electronic music. We invited musicians to three workshops, where they explored 10 deformable objects and generated ideas on how to use these objects to perform music. Based on the results from the workshops, we implemented sensors in the five preferred objects and programmed them for controlling sounds. Next, we ran a performance study where six musicians performed music with these objects at their studios. Our results show that (1) musicians systematically map deformations to certain musical parameters, (2) musicians use deformable interfaces especially to filter and modulate sounds, and (3) musicians think that deformable interfaces embody the parameters that they control. We discuss what these results mean to research in deformable interfaces.