Amplifying the Mind’s Eye: Sketching and Visual Cognition
Amplifying the Mind’s Eye: Sketching and Visual Cognition
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放大心灵的眼睛：素描和视觉认知
DOI：
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发表时间：
1990
期刊：
影响因子：
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通讯作者：
S. Scrivener
中科院分区：
文献类型：
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作者：
Jonathan S. Fish;S. Scrivener
虽然新技术被广泛用于细节设计和图像处理，但在视觉发明的早期阶段，它的使用要少得多，其中一个原因是纸笔素描中使用的指示系统以人们知之甚少的方式帮助创造力。列奥纳多达芬奇提倡使用不规则的不确定性来创作构图，因为他相信这些不确定性会刺激视觉发明。认知心理学的最新研究提出了一个心理意象模型，扩展了列奥纳多的理论，并为阐明熟悉的素描属性的功能的认知机制提供了证据。草图可以在视觉表征的空间示意性和结构描述性模式之间进行心理翻译。证据的混合感知图像理论的普通纸素描简要概述。这一理论的发展，改进的计算机草图系统的一些影响进行了简要讨论。
Although new technology is widely used for detailed design and image manipulation, its use in the early stages of visual invention is much less common, one reason being that the denotation systems used in paper-and-pencil sketching assist creativity in ways that are poorly understood. Leonardo da Vinci advocated the use of untidy indeterminacies for working out composition, because he believed that they stimulated visual invention. Recent research in cognitive psychology suggests a mental-imagery model that expands Leonardo’s theory and provides evidence for cognitive mechanisms that clarify the function of familiar sketch attributes. Sketches may mediate mental translation between spatially depictive and structurally descriptive modes of visual representation. Evidence for a hybrid percept-image theory of ordinary paper sketching is briefly outlined. Some implications of this theory for the development of improved computer sketching systems are briefly discussed.