MOVING AROUND
MOVING AROUND
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到处走
DOI：
10.1017/s0040557407000713
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发表时间：
2007
期刊：
影响因子：
0.2
通讯作者：
Moving Around
中科院分区：
文献类型：
--
作者：
Mike Sell;Janelle G. Reinelt;Moving Around
当迈克·塞尔要求我就“该领域最近的移民”这一主题为《关键阶段》撰稿时，我必须确保自己理解了。“你是说像我这样的人，”我问，“在美国以外工作的人？”“嗯，是的。”“在各种会议和活动中，对这一趋势进行了大量的非正式讨论。”很公平，但事实证明，量化这一现象令人惊讶地困难，数据是片面的，有时是矛盾的。一些美国表演学者选择出国工作有很多原因。部分是个人原因，部分是专业原因，这些原因无法直接解释。在下文中，我采用了一种有点并列的结构来捕捉不平衡的因果关系的片段，最后将知识迁移的问题置于西奥多·阿多诺在美国流亡期间的学科经历中。
When Mike Sell asked me to contribute to Critical Stages on the topic of “recent emigration in the field,” I had to make sure I understood. “Do you mean people like me,” I asked, “who have taken jobs outside the U.S.?” “Well yes,” he answered. “There's been quite a lot of informal discussion about this trend at various conferences and events.” Fair enough, but it has proven surprisingly difficult to quantify this phenomenon, and the data are partial and sometimes contradictory. There are a number of reasons why some American performance scholars may be choosing to work abroad now. Part personal, part professional, such reasons resist straight-ahead explanations. In what follows, I employ a somewhat paratactic structure to capture fragments of uneven cause and effect, finally placing the question of intellectual migration in the disciplinary experiences of Theodor Adorno during his period of exile in the United States.