Selected Writings

Selected Writings
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DOI:
10.1162/octo_a_00225
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发表时间:
2015
期刊:
影响因子:
0.3
通讯作者:
Robert L. Jacoby
Robert L. Jacoby
中科院分区:
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文献类型:
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作者:
Robert L. Jacoby

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阿根廷艺术家Roberto Rupby的这一精选文本包括七个首次以英文出版的文本,以及另外两个新翻译的文本。大多数文本(除三个外)都写于20世纪60年代。一些,如“比例模型的艺术品”(1966年),“自动电路(工作1号电话电路)”(1967年),和“消息在迪特拉研究所”(1968年),是艺术品的简短描述。另一个,“通信媒体的艺术(宣言)”(1967年),采取了宣言的形式,共同撰写的科尔比和其他两个艺术家。“示范:《一件大众媒体艺术品》(1967年)触及了20世纪60年代中期阿根廷及其他地区艺术界的各种话题,包括艺术与生活、社会和政治之间的关系,而《反对正在发生的事情》(1967年)则考虑了利用大众媒体进行生产的艺术。这一部分还包括翻译的歌曲歌词写的科比,连接亲密的主题与国际政治的爱。这些歌曲被阿根廷摇滚乐队病毒(Virus)改编成音乐,并录制成第五张唱片《快乐的表面》(Surfaces of Pleasure,1987)。本节最后以“欢乐的战略”(2000年)和“维纳斯计划报告”(2002年)结束,前者是一篇从理论上阐述了一种生物政治形式的抵抗,以抵制在20世纪70年代和80年代初残酷对待阿根廷人口的军民独裁统治的文章,后者关注的是一个在社会、经济和文化背景下形成的实验社区。2001年夏天降临阿根廷的经济和政治危机,据一些人说,这场危机仍在继续。
This selection of texts by the Argentinean artist Roberto Jacoby includes seven that are here published in English for the first time, and two others rendered in new translations. The majority of the texts (all but three) were written in the 1960s. Some, such as “Scale Model of an Artwork” (1966), “Automatic Circuit (work no. 1 for Telephone Circuit)” (1967), and “Message at the Di Tella Institute” (1968), are short descriptions of artworks. Another, “An Art of Communications Media (Manifesto)” (1967), takes the form of a manifesto, co-written by Jacoby and two other artists. “Demonstration: A Mass Media Artwork” (1967) touches on various issues topical in the mid-1960s art world in Argentina and beyond, including the relationship between art and life, society, and politics, and “Against the Happening” (1967) considers an art that harnesses the mass media for its production. The section also includes translations of song lyrics written by Jacoby that link intimate themes of love with international politics. The songs were put to music and recorded by the Argentinian rock group Virus for its fifth record, “Surfaces of Pleasure” (1987). The section concludes with “Strategy of Joy” (2000), an article that theorizes a biopolitical form of resistance to the civil-military dictatorship that brutalized the Argentinian population in the 1970s and early 1980s, and “Report on the Venus Project” (2002), which focuses on an experimental community formed in the midst of the social, economic and political crisis that befell Argentina in the summer of 2001, and, according to some, is ongoing.