Personalising prosthetics: digital interventions in disability and dance

Personalising prosthetics: digital interventions in disability and dance
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个性化假肢:残疾和舞蹈的数字干预

DOI:
10.1080/14794713.2023.2196884
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发表时间:
2023
影响因子:
--
通讯作者:
Whatley S
Whatley S
中科院分区:
--
文献类型:
--
作者:
Whatley S

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这篇论文是由使用假肢的残疾舞蹈艺术家、计算机科学家、舞蹈研究人员和工程师之间的跨学科合作产生的,目的是探索数字技术的变革潜力,从舞蹈动作共同创造美学的个性化假肢。首先,舞者穿着动作捕捉套装表演即兴动作序列,这推动了一种计算设计算法,为每个舞者生成了一颗“美学种子”:从他们的动作中获得一种个人签名。这些种子随后被算法映射到假肢覆盖物的形状上,这些假肢覆盖物可以在各种材料上进行3D打印。这篇论文将分享舞者们对这一过程如何产生关于机构、挪用、所有权以及残疾作为抵抗场所的政治影响的问题的一些思考。它将提出一些方法,在数字方法可以为残疾艺术家提供制作和分享作品的不同途径的同时,突出包容的重要性,以挑战关于数字创新背景下“连接”和“访问”意味着什么的规范思维。
This paper emerges from an interdisciplinary collaboration between prosthesis-using disabled dance artists, computer scientists, dance researchers and engineers to explore the transformative potential of digital technologies to co-create aesthetically personalised prosthetics from dance movements. Beginning with the dancers performing improvised movement sequences in motion capture suits, which drove a computational design algorithm, an ‘aesthetic seed’ for each dancer was generated: a kind of personal signature from their movement. These seeds were then algorithmically mapped onto the shapes of prosthetic limb covers that could be 3D printed in a variety of materials. The paper will share some of the reflections from the dancers on how the process generated questions about agency, appropriation, ownership and the political implications of disability as a site of resistance. It will suggest some ways in which digital methods can offer disabled artists different routes towards making and sharing work, whilst foregrounding the importance of inclusion to challenge normative thinking around what ‘connection’ and ‘access’ means in the context of digital innovation.
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