The spaces of organisation and the organisation of space: power, identity and materiality at work. dale, karen and burrell, gibson.
The spaces of organisation and the organisation of space: power, identity and materiality at work. dale, karen and burrell, gibson.
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组织空间和空间组织：工作中的权力、身份和物质性。
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发表时间：
2010
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通讯作者：
Ealasaid Munro
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作者：
Ealasaid Munro
©作者2010杂志编译© 2010瑞典社会人类学和地理182和确实复杂和密集，批评约翰·厄里的旅游凝视的社会学概念。在与约翰·厄里进行了深入的研究之后，我将让读者决定这一批评是否富有成效。阅读这本书几次，它唤起了我对在照相亭收集假日照片的兴奋、快乐和失望的遥远记忆。无论我们多么祈求他们能变得伟大，第一次看到他们和他们动手的喜悦总是被那些几乎是“穷困潦倒”的人所困扰。虽然柯达长期以来一直教导游客，拍摄精彩照片所需的只是按下按钮（因为剩下的都是他们做的），但我们都知道很难拍摄出令人愉悦的假期照片。而框架世界：旅游，游客和摄影包含了一些很好的肖像旅游摄影，作为一个整体，这本编辑的书表明，它也很难写学术上的东西，显然轻浮和平凡的旅游摄影。
© the authors 2010 Journal compilation © 2010 Swedish Society for anthropology and Geography 182 and indeed complex and dense, critique of John Urry’s sociological notion of the tourist gaze. Having worked intensively with John Urry, i will let the reader decide whether this critique is fruitful or not. at several times reading this book, it triggered the distant memory of the excitement, pleasures and disappointments of collecting one’s holiday photos at a photo-booth. no matter how much we begged for them to turn out great, the delights of laying eyes and hands upon them for the first time was always plagued by the almost unavoidably “poor” ones. While Kodak has long taught tourists that all it requires to take great photographs is to press the button (because they did the rest), we all know that it is difficult to make pleasing holiday photographs. and while The Framed World: Tourism, Tourists and Photography contains some nice portraits of tourist photography, as a whole, this edited book demonstrates that it is also difficult writing academically about something as apparently frivolous and mundane as tourism photography.