Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
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DOI：
10.1017/s1355771819000475
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发表时间：
2020-04-01
期刊：
影响因子：
0.6
通讯作者：
Tanaka, Atau
中科院分区：
文献类型：
--
作者：
Tahiroglu, Koray;Magnusson, Thor;Tanaka, Atau
本文探讨了计算如何通过技术设计为新的音乐实践打开了可能性。使用文化探测仪的概念作为镜头，我们将数字乐器视为一种实验装置，它产生了跨越音乐、社会学和声学领域的研究结果。作为艺术研究方法论的一部分，作为探测的工具对象被提供给艺术家回答通常是在语义语言之外表达的问题的手段。本文以不同的方式思考计算在作者个人演奏实践中的重要作用，反映了新乐器存在模式的变化以及我们与它们的个人和集体关系。
This article explores how computation opens up possibilities for new musical practices to emerge through technology design. Using the notion of the cultural probe as a lens, we consider the digital musical instrument as an experimental device that yields findings across the fields of music, sociology and acoustics. As part of an artistic-research methodology, the instrumental object as a probe is offered as a means for artists to answer questions that are often formulated outside semantic language. This article considers how computation plays an important role in the authors' personal performance practices in different ways, which reflect the changed mode-of-being of new musical instruments and our individual and collective relations with them.