Production Culture: Industrial Reflexivity and Critical Practice in Film and Television

Production Culture: Industrial Reflexivity and Critical Practice in Film and Television
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制作文化:电影电视的工业反思与批判实践

DOI:
10.1215/9780822388968
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发表时间:
2008
影响因子:
--
通讯作者:
J. Caldwell
J. Caldwell
中科院分区:
--
文献类型:
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作者:
J. Caldwell

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介绍:行业反映性和常识1第一章:贸易故事和职业资本37第二章:贸易仪式和草坪标记69第三章:贸易形象和想象的社区(线下)110第四章:贸易机器和制造的身份(线下)150第五章:工业导演理论(线上/创意)197第六章:工业身份理论(线上/商业)232第七章:作为病毒式营销的工业反射274结论:枪战,烘焙,和快速约会(躁狂披露/不披露316附录1:方法:生产研究中的文物和文化实践345附录2:DVD奖励轨道战略和功能的分类362附录3:从业者宣布/否认(工业双峰)368附录4:公司反射率与工人反射率(工业自我揭露的两个相互冲突的反面)370注释373作品被引用433索引445
Acknowledgments vii Introduction: Industry Reflexivity and Common Sense 1 Chapter 1: Trade Stories and Career Capital 37 Chapter 2: Trade Rituals and Turf Marking 69 Chapter 3: Trade Images and Imagined Communities (Below the Line) 110 Chapter 4: Trade Machines and Manufactured Identities (Below the Line) 150 Chapter 5: Industrial Auteur Theory (Above the Line/Creative) 197 Chapter 6: Industrial Identity Theory (Above the Line/Business) 232 Chapter 7: Industrial Reflexivity as Viral Marketing 274 Conclusion: Shoot-Outs, Bake-Offs, and Speed Dating (Manic Disclosure/Non-Disclosure 316 Appendix 1: Method: Artifacts and Cultural Practices in Production Studies 345 Appendix 2: A Taxonomy of DVD Bonus Track Strategies and Functions 362 Appendix 3: Practitioner Avowal/Disavowal (Industrial Doublespeak) 368 Appendix 4: Corporate Reflexivity vs. Worker Reflexivity (The Two Warring Flipsides of Industrial Self-Disclosure) 370 Notes 373 Works Cited 433 Index 445