The new German cinema: Music, history, and the matter of style
The new German cinema: Music, history, and the matter of style
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德国新电影：音乐、历史和风格问题
DOI：
10.5860/choice.42-0835
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发表时间：
2003
影响因子：
2.3
通讯作者：
C. Flinn
中科院分区：
文献类型：
--
作者：
C. Flinn
Acknowledgments Introduction: "Strategies of Remembrance" PART 1. HISTORICAL PREDECESSORS: MELODRAMA AND MODERNISM 1. Mourning, Melancholia, and "New German Melodrama" 2. Modernism's Aftershocks: Peer Raben's Film Music for Fassbinder PART 2. MUSIC AND THE MATERIALS OF HISTORY: ALEXANDER KLUGE 3. Kluge's Assault on History: Trauma, Testimony, and Difference in The Patriot 4. Undoing Act 5: History, Bodies, and Operatic Remains: Kluge's The Power of Emotion PART 3. QUEERING HISTORY THROUGH CAMP AND KITSCH 5. Restaging History with Fantasy: Body, Camp, and Sound in the Films of Treut, Ottinger, and von Praunheim 6. Introjecting Kitsch: Werner Schroeter, Music, and Alterity Coda: Working the Pieces Notes Index
