Ears-on Exhibitions: Sound in the History Museum
Ears-on Exhibitions: Sound in the History Museum
复制标题
DOI：
10.1525/tph.2015.37.4.73
复制
发表时间：
2015-11-01
期刊：
影响因子：
0.7
通讯作者：
Bijsterveld, Karin
中科院分区：
文献类型：
--
作者：
Bijsterveld, Karin
在2013年3月至2014年11月期间，阿姆斯特丹博物馆安装了一个装置，使参观者能够将最近的大坝广场声景录音与1895年和1935年大坝的声音模拟进行比较。构建这些模拟涉及虚拟声学软件、历史文物的记录和对城市过去的研究。本文通过比较装置背后的声学真实性理想和早期音乐运动的目的，批判性地讨论了装置是如何制作和接受的。文章最后回顾了在历史博物馆中使用声音的其他方式，对框架、识别、感官指导和体现等问题进行了反思。
Between March 2013 and November 2014, the Amsterdam Museum had an installation that enabled visitors to compare a recent soundscape recording of the Dam Square with simulations of how the Dam sounded in 1895 and 1935. Constructing these simulations involved virtual acoustics software, recordings of historical artifacts, and research into the urban past. This paper critically discusses how the installation was made and received by comparing the acoustic authenticity ideal behind it with the aims of the early music movement. It concludes by reviewing alternative ways of using sound in history museums by reflecting on issues of framing, identification, sensory instruction, and embodiment.