The Cambridge companion to Irish modernism
The Cambridge companion to Irish modernism
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爱尔兰现代主义的剑桥伴侣
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发表时间：
2016
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通讯作者：
R. Finnigan
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作者：
R. Finnigan
在整个二十世纪的最初几十年里，爱尔兰成为现代主义发展的主要贡献者之一。然而，尽管许多分析集中在w.B.叶芝、詹姆斯·乔伊斯和塞缪尔·贝克特，爱尔兰与现代主义关系的影响和意义仍然是一个被批评界忽视的主题。爱尔兰现代主义会议（2007年）的与会者和读者熟悉迈克尔鲁宾斯坦的公共工程：基础设施，爱尔兰现代主义和后殖民主义（2010年）和埃德温娜基翁和卡罗尔塔菲的爱尔兰现代主义：起源，背景，公众（2009年）将意识到一些重新评估，导致“爱尔兰[被]从现代主义经典中的一个脚注转变为某种示范性案例。”1尽管如此，仍存在一些问题。例如，什么是爱尔兰现代主义，现代主义在爱尔兰是如何被接受的，以及对地区和国家现代主义的重新评估表明了现代主义与爱尔兰之间的联系？为了回答这些问题和其他问题，这本书，爱尔兰现代主义的剑桥伴侣（2014年），提供了超越现代主义的标志性爱尔兰人物的话题新鲜和有见地的观点，以建立新的学术辩论领域。乔·克利里（Joe Cleary）在其内容丰富的导言中，一开始就宣称“爱尔兰现代主义的故事构成了欧洲现代主义多事之秋历史上最引人注目的篇章之一”（1）。寻求“巩固爱尔兰现代主义的当代学术，同时扩大其范围和雄心”（3），该系列旨在：
throughout the early decades of the twentieth century Ireland became one of the leading contributors to the development of modernism. however, while numerous analyses focus on the broad concepts of modernism found in the works of w.B. Yeats, James Joyce and samuel Beckett, the impact and significance of Irish relationships with modernism remains a subject of critical neglect. Attendees of the Irish Modernism conference (2007) and readers familiar with Michael rubenstien’s Public Works: Infrastructure, Irish Modernism, and the Postcolonial (2010) and edwina Keown and Carol taaffee’s Irish Modernism: Origin, Contexts, Publics (2009) will be aware of a number of re-evaluations that have led to “Ireland [being] transformed from a footnote in the modernist canon to something of an exemplary case”.1 despite this a number of questions remain. For example, what is Irish modernism, how is modernism received in Ireland and what do revaluations of regional and national modernisms suggest about the connection between modernism and Ireland? In an attempt to answer these, and other questions, this volume, The Cambridge Companion to Irish Modernism (2014), offers fresh and insightful perspectives on topics beyond modernism’s iconic Irish figures to establish new areas of scholarly debate. In his informative introduction, Joe Cleary begins by declaring “the story of Irish modernism constitutes one of the more remarkable chapters in the eventful history of european modernism” (1). seeking to “consolidate contemporary scholarship on Irish modernism with a view also to expanding its scope and ambition” (3), the collection aims to: