Sleeping with the Enemy? A Fiction Film for German Television about the Bombing of Dresden

Sleeping with the Enemy? A Fiction Film for German Television about the Bombing of Dresden
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与敌人同眠?

DOI:
10.1017/s0008938907000301
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发表时间:
2007
影响因子:
--
通讯作者:
D. Crew
D. Crew
中科院分区:
人文科学3区
文献类型:
--
作者:
D. Crew

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处理纳粹的过去已经成为当代德国民族认同的一个永久组成部分(有人会说是痴迷)。德国印刷和视觉媒体几乎每天都会报道与希特勒、第二次世界大战和大屠杀有关的故事。每个新的重大周年纪念日都会引发新一轮的讨论、争论和争议。每部关于纳粹主义的新自传和每部新电影都会引起广泛的媒体评论。最近关于纳粹历史的讨论中最有趣的方面之一是将德国人描述为“希特勒战争”的受害者。这种将德国人描绘成受害者的偏好,在最近大量有关轰炸战争的畅销书和电视纪录片中表现得最为明显。
Dealing with the Nazi past has become a permanent component (some would say obsession) of contemporary German national identity. Almost every day, the German print and visual media carry stories related to Hitler, World War II, and the Holocaust. Each new major anniversary sets in motion another round of discussion, argument, and controversy. Each new autobiography and each new film on Nazism generates extensive media commentary. Among the most interesting aspects of recent discussions of the Nazi past is the new prominence afforded to depictions of Germans as victims of “Hitler's War.” Nowhere has this predilection for presenting Germans as victims been more apparent and pronounced than in the flood of recent popular books and made-for-TV documentaries about the bombing war.