Downhill all the way : an autobiography of the years 1919-1939
Downhill all the way : an autobiography of the years 1919-1939
复制标题
一路下坡：1919-1939年的自传
DOI：
10.1080/14781700903338698
复制
发表时间：
1967
影响因子：
1
通讯作者：
L. Woolf
中科院分区：
文献类型：
--
作者：
L. Woolf
本文扩展了最近对弗吉尼亚·伍尔夫的政治塑造她的现代主义叙事方式的批判性评价，研究了伍尔夫的非虚构作品及其与翻译文学作品的生产、流通和接受等政治问题的关系。它提出伍尔夫在许多早期文章中提到的“普通读者”的形象与“局外人”的形象相交，她认为后者拒绝效忠于国家，是在三个几内亚具有国际影响力的政治力量的来源。然而，伍尔夫为外来者宣称的免于民族主义文化权威的自由——他们必须“用自己的语言阅读和写作”——既不保证也不寻求跨文化边界的完全可理解性。相反，这些文章对阅读实践进行了示范，这些实践仍然关注翻译中保留的持久和富有成效的差异痕迹，并拒绝在英语社区中对专业读者和业余读者进行等级划分。
Extending recent critical appraisals of the ways in which Virginia Woolf's politics shape her modernist narrative practices, this essay examines Woolf's non-fiction and its engagement with the political questions surrounding the production, circulation and reception of literature in translation. It proposes that the figure of the “common reader” to whom Woolf addresses many early essays intersects with that of the “Outsider”, whose refusal of national allegiance she identifies as a source of internationally influential political power inThree Guineas. However, the freedom from nationalist cultural authorities that Woolf claims for Outsiders, who necessarily “read and write in their own tongue”, neither guarantees nor even seeks complete intelligibility across cultural borders. Rather, the essays model reading practices that remain attentive to the persistent and productive traces of difference retained in translation and refuse hierarchical divisions between professional and amateur readers within Anglophone communities.