‘I Write Like a Painter’: Feminine Creation with Arts‐Based Methods in Organizational Research
‘I Write Like a Painter’: Feminine Creation with Arts‐Based Methods in Organizational Research
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“我像画家一样写作”：组织研究中以艺术为基础的女性创作
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发表时间：
2015
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影响因子：
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通讯作者：
B. Biehl
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文献类型：
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作者：
B. Biehl
本文将女性写作和组织美学结合在一起，概述了组织研究中涉及基于艺术的方法（“女性创造”）的不同形式的学术成果。女性创作涉及到生态女性（Cixous，Irigaray和Kristeva），也涉及到绘画女性（Nancy Spero）和现代舞蹈（Trisha Brown）。女性创作回应了女性主义和传统学术写作的美学批判，并有可能挑战其理性，严谨的方法和明确的知识生产的男性刻板印象。本文讨论了诗歌写作、绘画和舞蹈的实践，这些实践被用来呈现学术研究。它包括自己的一系列“女性绘画”，其中一些是艺术家和组织学者施拉特的贡献。它们以一种联调美学的形式说明了我的论点，并鼓励以一种不同的美学方式来感知学术研究和重新想象性别化的身体。
Feminine writing and organizational aesthetics are brought together in this paper to sketch a different form of academic production in organizational research that involves arts-based methods (‘feminine creation’). Feminine creation relates to ecriture feminine (Cixous, Irigaray, and Kristeva) and also to peinture feminine (Nancy Spero) and modern choreography (Trisha Brown). Feminine creation responds to the feminist and the aesthetic critique of conventional academic writing and has the potential to challenge its masculine stereotypes of rationality, rigorous method and explicit knowledge production. The paper discusses the practices of poetic writing, painting and dance that are used to present academic research. It includes its own series of ‘peinture feminine’, some of which are contributions by the artist and organizational scholar Schrat. They illustrate my argument in a synedochic aesthetic format and encourage a different, aesthetic way of perceiving academic research and of re-imagining gendered bodies.