Digital Publishing Seen from the Digital Humanities
Digital Publishing Seen from the Digital Humanities
复制标题
从数字人文看数字出版
DOI：
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发表时间：
2014
期刊：
影响因子：
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通讯作者：
Peter A. Stokes
中科院分区：
文献类型：
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作者：
Tobias Blanke;E. Pierazzo;Peter A. Stokes
本文概述了与出版相关的数字人文活动。数字人文科学是一个不断发展的学术领域，其定义各不相同，但通常涉及到应用计算机来研究属于传统人文科学范围内的问题。它包括许多与出版重叠的研究领域。因此，数字人文科学的一个重要方面是质疑数字出版应该产生忠实的视觉复制品的假设。我们认为，这不能成为数字人文出版的唯一目标，相反，出版需要被理解为一系列旨在开发和交流解释的建模活动，无论是否有意识地。本文介绍了一系列支持对象的灵活数字表示的数字人文出版标准和系统，例如文本编码倡议(TEI)，它强调学术上的灵活性和协作性。
This article provides an overview of digital humanities activities that relate to publishing. Digital humanities is a growing scholarly domain, defi nitions of which vary but which generally involves the application of computers to research questions that fall within the traditional remit of the humanities. It includes many areas of research that overlap with publishing. An important aspect of digital humanities is therefore to question assumptions that digital publishing should produce faithful visual reproductions. We argue that this cannot be the only objective of digital humanities publishing, and rather that publishing needs to be understood as a range of modelling activities that aim to develop and communicate interpretations, whether consciously or not. The article introduces a selection of digital humanities publishing standards and systems that support a fl exible digital representations of objects, such as the Text Encoding Initiative (TEI), which emphasizes scholarly fl exibility and collaboration.