The Social Significance of Mimbres Painted Pottery in the U.S. Southwest

The Social Significance of Mimbres Painted Pottery in the U.S. Southwest
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美国西南部明布尔彩绘陶器的社会意义

DOI:
10.1017/aaq.2020.63
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发表时间:
2021
期刊:
影响因子:
2.8
通讯作者:
Striker, Sarah
Striker, Sarah
中科院分区:
人文科学1区
文献类型:
--
作者:
Hegmon, Michelle;Russell, Will G.;Baller, Kendall;Peeples, Matthew A.;Striker, Sarah

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来自美国西南部的明布雷斯彩陶以其壮观的设计而闻名。关于风格和身份的文献提出了三个有助于理解其社会意义的概念:边界,多样性和历史背景。本文通过综合过去的研究和新的分析来探讨这些概念。从cyberSW项目的数据表明,明布雷斯陶器的分布是有很强的界限的。设计的变化是多方面的:(1)个别艺术家创造了独特的风格;(2)特定的设计均匀地分布在整个地区,这一结论部分证明了对几何设计的新分析;(3)泛区域,设计的内容,规则结构和在多种媒体上的外观表明它们是有意义的。在历史背景下考虑这些发现提供了对陶器的社会意义和阐述的见解:资源丰富的明布雷斯地区的人口增长产生了土地所有权制度,部分标志是包括陶器在内的墓葬。这些陶器从两个角度传达了“我属于这里”的信息。通过采用陶器,人们,包括移民,表明他们接受该地区既定的生活方式,他们获得陶器表明他们在社会环境中的接受。
Mimbres painted pottery from the U.S. Southwest is renowned for its spectacular designs. Literature on style and identity suggests three concepts helpful for understanding its social significance: boundaries, multiple dimensions of variation, and historical context. This article investigates these concepts by synthesizing past studies with new analyses. The distribution of Mimbres pottery is strongly bounded, demonstrated with data from the cyberSW project. Variation in designs is multidimensional: (1) individual artists created distinctive styles; (2) specific designs are distributed homogeneously across the region, a conclusion demonstrated in part with new analyses of the geometric designs; and (3) pan-regionally, the designs’ content, regular structure, and appearance on multiple media suggest they were meaning-charged. Considering these findings in their historical context provides insights into the pottery's social significance and elaboration: population growth in the resource-rich Mimbres region engendered land tenure systems, marked in part by burials that included pottery. The pottery came to convey the message “I belong here” from two perspectives. By adopting the pottery, people, including migrants, signaled their acceptance of established ways of life in the region, and their access to the pottery indicated their acceptance in the social milieu.
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