The Reception of American Literature during the Occupation
The Reception of American Literature during the Occupation
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占领期间美国文学的接受
DOI：
10.1093/acrefore/9780190201098.013.163
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发表时间：
2017
期刊：
影响因子：
--
通讯作者：
Hiromi Ochi
中科院分区：
文献类型：
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作者：
工藤庸子編;高橋 勤;土井良子;阿部泰郎;田中ひかる;小峯和明;鳥羽耕史;内野儀;Yukari Yoshihara;土井良子;竹内 勝徳;近本謙介;大原祐治;田中ひかる;張志強編;岡本太助;Hiromi Ochi;土井良子;近本謙介;小峯和明;光石亜由美;小谷耕二;櫻田和也;齋藤 一;張春田編;近本謙介;岡本太助;原田範行;鈴木貴宇;鈴木彰;章念馳編;南隆太;川津雅江;鈴木彰;櫻田和也;Hiromi Ochi
第二次世界大战后，日本对美国文学的接受发生了根本性的变化。战前，研究美国文学的著作屈指可数，美国文学的地位仅次于英国文学。与德国不同的是，美国对日本的军事占领是由美国单方面进行的。在美国占领下，美国文学作为文化政策的一部分被引入，目的是在战后日本非军事化和民主化的总体概念下重新定位和重新教育日本社会。这种文化政治是20世纪30年代美国国务院一项计划的产物，该计划首先在南美国家实施，然后通过战争信息办公室在饱受战争蹂躏的欧洲国家实施。
The reception of American literature in Japan was radically altered after the Second World War. Before the war, only a handful of works on American literature were published, and the status of American literature was secondary to that of British literature. Unlike in Germany, whose occupation at the end of the war was divided among the Allies, the military occupation of Japan was conducted unilaterally by the United States. Under the US occupation, American literature was introduced as part of a cultural policy aimed at the reorientation and re-education of Japanese society under the umbrella concept of demilitarization and democratization of postwar Japan. Such cultural politics was the product of a 1930s US State Department program carried out at first in South American countries and then through the Office of War Information in war-torn European countries.