Designing felt experiences with movement-based, wearable musical instruments: From inclusive practices toward participatory design
Designing felt experiences with movement-based, wearable musical instruments: From inclusive practices toward participatory design
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使用基于运动的可穿戴乐器设计感受体验：从包容性实践到参与式设计
DOI：
10.1017/wtc.2022.15
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发表时间：
2022
影响因子：
--
通讯作者：
Ge Wang
中科院分区：
文献类型：
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作者：
Doga Cavdir;Ge Wang
摘要包容性乐器得益于将可穿戴界面融入数字乐器设计，为身体感觉体验和基于运动的互动创造了机会。在这篇文章中，我们讨论了我们的包容性设计方法在三种可穿戴乐器的设计和演奏实践背后的演变。通过关注基于运动的音乐互动的具体化、躯体和默契维度，我们结合第三人称和第一人称视角对这些案例研究进行了评估。在音乐表现的特定情况下，讨论了利用加法制造技术为每种乐器及其演奏者设计和实现可穿戴传感器的设计和实现。本文进一步讨论了我们的方法如何将音乐表演作为设计和评估的关键步骤，利用这些表演实践和这种协作环境来提高多样性和包容性。最后，我们研究了我们的设计方法如何从以用户为中心的设计演变为更具参与性的实践，为不同能力的人提供共享的音乐表演空间。
Abstract Inclusive musical instruments benefit from incorporating wearable interfaces into digital musical instrument design, creating opportunities for bodily felt experiences and movement-based interactions. In this article, we discuss the evolution of our inclusive design approach behind the design and performance practices of three wearable musical instruments. By focusing on the embodied, somatic, and tacit dimensions of movement-based musical interaction, we evaluate these case studies, combining the third and first-person perspectives. The design and implementation of the wearable sensing, utilizing the additive manufacturing techniques, are discussed for each instrument and its performer in specific cases of musical expression. This article further discusses how our approach integrates music performance as a crucial step into design and evaluation, utilizing these performance practices and such collaborative settings for improved diversity and inclusion. Finally, we examine how our design approach evolves from user-centered design to more participatory practices, offering people with diverse abilities a shared music performance space.
包容性音乐的定制设计：评估的挑战
DOI：
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发表时间：
2019
期刊：
--
影响因子：
--
作者：
Lucas,A
通讯作者：
Lucas,A
定制、无障碍音乐技术的长久发展：社区案例
DOI：
--
发表时间：
2020
期刊：
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影响因子：
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作者：
Lucas,A
通讯作者：
Lucas,A