Creativity: from discourse to doctrine?
Creativity: from discourse to doctrine?
复制标题
创造力：从话语到教义？
DOI：
--
复制
发表时间：
2007
期刊：
影响因子：
--
通讯作者：
Philip Schlesinger
中科院分区：
文献类型：
--
作者：
Philip Schlesinger
本文报道了英国政府创意产业政策的进展情况。它认为，随着工党政策自 1997 年 5 月以来执政期间的演变，“创造力”这一核心、充满活力的理念在过去十年中已经成为中心舞台。其核心论点是，“创造力”本身从早期关于文化产业的话语中出现的话语，随后被阐述为一种虚拟的学说，现在不加批判地在政府报告和更广泛的政策界（包括大多数学者）中复制。为了说明这一论点，我们对有关商业再造、教育重新定位以及下一阶段激发“创意经济”的报告进行了分析。最后给出了该研究项目即将开展的工作的指示。
This article reports on work in progress on UK government policy on the creative industries. It argues that the central, animating idea of ‘creativity’ has moved centre stage over the past decade, as Labour Party policy has evolved during its period in power since May 1997. The central contention is that from being a discourse that itself emerged from an earlier discourse on the cultural industries, ‘creativity’ has subsequently been elaborated to become a virtual doctrine, and is now uncritically reproduced across government reports and the wider policy community, including most academics. To illustrate the argument, reports dealing with the reengineering of business, the refocusing of education, and the next stage of firing up the ‘creative economy’ are all analysed. Indications of forthcoming work on this research project are given in conclusion.